CelloMind
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_OC_InitNavbar("child_node":["title":"My library","url":" =114584440181414684107\u0026source=gbs_lp_bookshelf_list","id":"my_library","collapsed":true,"title":"My History","url":"","id":"my_history","collapsed":true,"title":"Books on Google Play","url":" ","id":"ebookstore","collapsed":true],"highlighted_node_id":"");CelloMind: Intonation and TechniqueHans Jørgen Jensen, Minna Rose ChungOvation Press, Ltd., Nov 3, 2017 - Music - 271 pages 0 ReviewsReviews aren't verified, but Google checks for and removes fake content when it's identifiedCelloMind is a two-part pedagogical method book that focuses on intonation and left-hand cello technique. The coauthors of the book are Hans Jørgen Jensen, Professor of cello at the Bienen School of Music at Northwestern University and Minna Rose Chung, Associate Professor of Cello at the Desautels Faculty of Music at the University of Manitoba. Part I: Intonation. The mystery of intonation is revealed by defining and explaining the scientific principles that govern it. To know and understand how to combine the three primary intonation systems has never before been expounded in a methodology publication--and for good reason. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense; however, CelloMind breaks down this taboo using a systematic approach with a highly attuned manner. The three systems of intonation that string players most commonly use today--equal temperament, just intonation, and Pythagorean tuning--are each explored and explained in great detail. All chapters in the book include many practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: "Intonation Performance Practice in the Bach Solo Cello Suites" and "Intonation Performance Practice with Piano." Part II: Left-Hand Technique. The left-hand technique chapters in this section complement the study of intonation by providing a solid foundation of skills for essential cello playing. The topics and exercises have been selected to cover a wide range of technical skills that include playing with a light left-hand touch, speed, coordination, balanced vibrato, agility, finger independence, and efficient shifting. Original exercises developed for students over many years have also been incorporated into these chapters, as well as studies from Julius Klengel, Bernhard Cossmann, Louis R. Feuillard, Jean-Louis Duport, Yakov Rosenthal, and Fritz Albert Christian Rudinger. if (window['_OC_autoDir']) _OC_autoDir('search_form_input');Preview this book What people are saying - Write a reviewWe haven't found any reviews in the usual places.Selected pagesTable of ContentsIndexContentsIntonation 1 Just Intonation and the Harmonic Series 25 Just Intonation System for DoubleStops 34 The Just Scales 47 The Pythagorean Comma 55 The Pythagorean Triads 65 The Pythagorean Semitones 71 The Pythagorean Scales 79 The Syntonic Comma 87 Intonation Performance Practice in the Bach 93 Bibliography 263 Copyright Common terms and phrases.cloud9 color: #7777cc;font-size: 10px;.cloud8 color: #6963CC;font-size: 10.5px;.cloud7 color: #6057CC;font-size: 11px;.cloud6 color: #574BCC;font-size: 11.5px;.cloud5 color: #4E3DCC;font-size: 12px;.cloud4 color: #4632CC;font-size: 14px;.cloud3 color: #3D26CC;font-size: 16px;.cloud2 color: #341ACC;font-size: 18px;.cloud1 color: #2B0DCC;font-size: 20px;.cloud0 color: #2200CC;font-size: 22px;.cloud margin-top: 4px;line-height: 24px;.cloud a margin-right: 6px;text-decoration: none;.cloud a:hover text-decoration: underline;22 cents 5th partial apply Astring Balance beats Cello CelloMind chord chromatic Combination compared continuous develop dominant double stops DoubleStop Studies enharmonic equal temperament equal-tempered example Exercise expressive F sharp finger fingerboard Flat Major four fundamental G string hand shape harmonic hear higher important impulse intervals Intonation and Technique justintonation keys larger leading left-hand major and minor major scale major third Match measure melodic minor sixth motion movements moving natural octave œ 1 œ œ 4 œ œ o œ œ œ œ œœ open strings overtones passages perfect fifths perfect fourth piano pitches playing position Practice Pythagorean Pythagorean major Pythagorean tuning relate Segue semitone seventh shift slightly smaller solid notes sound steps sympathetic vibrations Technique Chapter thumb tone tonic touch Triads tuning understand weight wholeAbout the author (2017)The recipient of numerous honors and awards, Professor Jensen has performed and taught master classes across the United States, as well as in Canada, Australia, Brazil, Europe, Israel, Japan, and Korea. Many of his students are first-prize winners in numerous national and international competitions, as well as members of major U.S. orchestras and leading music schools. Hans Jensen studied at the Royal Danish Academy of Music in Denmark with cellist Asger Lund Christiansen, and at the Juilliard School with Leonard Rose and Channing Robbins.
Feuillard Method For The Young Cellist Pdf Download
There are many sides to developing skills when it comes to cello playing. Perhaps the most obvious ones, and many times the most exciting for many younger students, are those related to the virtuosic aspect of technique. The exciting list includes fast runs, precise shifting, tons of double-stops, chords, or virtuoso bow strokes such as sautillé and ricochet. As we cellists get more mature, we usually develop ideas around the importance of other technical skills, -such as a solid pulse and a beautifully connecting legato in both the right arm and the left hand- and style-related skills connected to the need of contextualizing expressive tools in order to fit historical periods, cultural contexts, and even individual composers. There are also other aspects that are less obvious but not less important, including developing a strong sense of individual creativity, together with a generous performing personality that is able to convey artistic ideas with our audiences. 2ff7e9595c